Heidi Klum's Mia inspired Met Gala look



Two images side by side

There was a familiar face on the red carpet Monday night at the Met Gala in New York, one of the biggest fashion events in the world.

Supermodel Heidi Klum arrived as a walking marble sculpture, a veil draped across her face topped with a flower crown. Klum’s look showed an uncanny resemblance to the most popular artwork at the Minneapolis Institute of Art: the “Veiled Lady,” created in 1860 by Victorian-era sculptor Raffaelle Monti.

“I got a lot of messages,” said Max Bryant, the Mia associate curator of decorative arts and sculpture in European arts. “Because the sculpture is really one of the most beloved works in our collection.”

Bryan clarified that the direct inspiration for Klum was a different sculpture by Monti, the “Veiled Vestral,” which is in the collection of the Metropolitan Museum of Art.

Klum confirmed in an Instagram post.

“I went walking around in the Met and Raffaele Monti, he’s done most of the sculptures from the 1800s. So I looked and I was like, ‘Wow, this is so beautiful,’” Klum told Vogue. “I was like, ‘I want to become her!'”

The way Klum’s costume was designed, by manipulating latex and spandex to create a gauzy veiled illusion, echoes what the Italian sculptor did with marble.

“It’s an amazing creation. It demonstrates a real advanced art form of prosthetics,” Bryant said. “In a way, it's really true to the spirit of Raffaelle Monti himself.”

The “Veiled Vestral” and the “Veiled Lady” are directly linked.

The Veiled Lady crop art
The "Veiled Lady" was the inspiration for many crop art pieces at the 2025 Minnesota State Fair.
Alex V. Cipolle | MPR News

“Monti made a lot of versions of the same subject,” Bryant said. “I would say ours is the most popular and celebrated version of the work.”

In the 1970s, Mia curator Merribell Parsons acquired the “Veiled Lady” for the permanent collection.

“At the time, I don't think anybody would have anticipated the popularity of this work with our audience, but nevertheless, it has remained,” Bryant said.

The “Veiled Lady” has become a fan favorite, gaining popularity with recreations: in ice for the annual Ice Sculptures at Mia event and in seeds many times over for the crop art exhibition at the Minnesota State Fair.

“I don't think there was one definitive moment that it goes viral in the popular consciousness of Minnesota. But clearly, by now in 2026, it is arguably the most popular work in our collection,” Bryant said. “It seems like she's more than a symbol of just the museum, almost of Minneapolis itself.”

The “Veiled Lady” is on permanent display in Gallery 357 at the museum.





Source link

Leave a Reply

Subscribe to Our Newsletter

Get our latest articles delivered straight to your inbox. No spam, we promise.

Recent Reviews



Speaker of the House Mike Johnson, R-La., takes questions at a news conference at the U.S. Capitol on April 21, 2026.

Speaker of the House Mike Johnson, R-La., takes questions at a news conference at the U.S. Capitol on April 21, 2026.
Speaker of the House Mike Johnson, R-La., takes questions at a news conference at the U.S. Capitol on April 21.
J. Scott Applewhite | AP

The House of Representatives voted Thursday to reopen most of the Department of Homeland Security, ending the longest agency shutdown in U.S. history.

The House passed a bill funding DHS, minus dollars for Immigration and Customs Enforcement and Customs and Border Protection. The measure passed by voice vote on what was the 76th day of the shutdown.

Democrats refused to back funding for many of the agency's immigration functions in an unsuccessful effort to secure reforms including body-worn cameras and broad restrictions on face coverings after federal law enforcement killed two American citizens in Minnesota earlier this year.

The Senate, led by Republican Majority Leader John Thune, R-S.D., unanimously advanced this funding legislation in March. At the time, Speaker Mike Johnson, R-La., referred to the proposal as "a joke" and refused to bring it up for a vote. Many members of the House Republican conference refused to fund the agency in a piecemeal fashion and did not want to negotiate over reforms to immigration enforcement operations.

On April 1, Johnson reversed course. He announced the funding bill would be voted on "in the coming days." More than four weeks later, he finally made good on that commitment.

In an effort to appease his hardline members, Johnson waited to bring the Senate's proposal to a vote until that chamber's Republicans started the arcane procedural process, known as reconciliation, to fund all of DHS — including Immigration and Customs Enforcement (ICE) and Customs and Border Protection (CBP) — for the remainder of Trump's term without any backing from Democrats.

The funding bill comes as Secretary of Homeland Security Markwayne Mullin warned the agency was close to running out of funds to pay staff.

"We have reached all the emergency funds we can reach into," Mullin told Fox News on Friday. "I am completely out of the slush fund, I have no place to move at the end of the month."

Mullin said the agency was relying on appropriated funds from last year's One Big Beautiful Bill, which allocated more than $150 billion to DHS on top of its regular annual appropriations funding.

President Donald Trump signed a memo this month authorizing DHS to use some of the money from that legislation to fund the department's operations — potentially infringing on the powers granted to Congress by the Constitution to direct how taxpayer money is spent.

Copyright 2026, NPR



Source link